Training Society Of Vancouver

### Context Profile for Training Society of Vancouver

1. **Organization Mission & Cause**:
   - The Training Society of Vancouver (TSV) is dedicated to providing high-quality education and training in the performing arts, particularly dance. Their mission centers around fostering creativity, developing skills, and supporting emerging artists in a collaborative environment. They aim to create opportunities for individuals to explore their artistic potential and engage with the community through various programs and workshops.

2. **Type of Activities**:
   - TSV offers a variety of activities including:
     - **Workshops and Classes**: Regular classes led by experienced instructors, such as the "Working Class" series featuring choreographers like Lesley Telford.
     - **Community Programs**: Initiatives aimed at supporting local artists and promoting dance education.
     - **Partnerships**: Collaborations with organizations like Matriarchs Uprising to enhance community engagement and outreach.

3. **Tone of Voice**:
   - The tone of TSV's communications is **friendly**, **inspiring**, and **professional**. They use approachable language that invites participation and fosters a sense of community. Their content often emphasizes encouragement and support for artistic growth.

4. **Emoji Usage**:
   - The organization does not prominently use emojis in their communications. Their email campaigns and website content maintain a more traditional and professional appearance, focusing on clear and direct language without the use of emojis.

5. **Key Facts**:
   - **Founding Info**: Specific founding details are not mentioned on the website.
   - **Scale**: TSV has a total of 17 forms and has conducted 105 email campaigns, indicating an active engagement with their audience.
   - **Impact Metrics**: While specific metrics are not detailed, the organization emphasizes community involvement and support for emerging artists.
   - **Volunteer Info**: Information regarding volunteer opportunities is not explicitly stated, but the organization likely encourages community participation in its programs.

6. **Writing Guidelines**:
   - **Style**: Use clear, concise language that is accessible to a broad audience. 
   - **Structure**: Organize content with headings and bullet points for easy readability.
   - **Personalization**: Incorporate personal touches, such as addressing recipients by name in emails, to foster a connection.
   - **Call to Action**: Encourage participation in classes and workshops with inviting language that highlights the benefits of joining.
   - **Visuals**: While the use of emojis is minimal, consider incorporating relevant images or graphics to enhance engagement without detracting from the professional tone.

This context profile serves as a foundation for generating tailored content that aligns with the Training Society of Vancouver's mission, activities, and communication style.

Day One (July 29) - A Weekend Training Encounter from 10am-5pm

Day One (July 29)

Day Two (July 30) - A Weekend Training Encounter from 10am-5pm

Day Two (July 30)

Day One and Two (July 29-39) - A Weekend Training Encounter from 10am-5pm

Day One and Two (July 29-30)

Day Two and Three (July 30-31) - A Weekend Training Encounter from 10am-5pm

Day Two and Three (July 30-31)

Full Weekend (July 29-31)- A Weekend Training Encounter from 10am-5pm

Full Weekend (July 29-31)

<p><span style="font-family:Helvetica;font-size:14px"><strong>*Please note masks will be mandatory for this workshop*</strong></span></p><p><br /></p><div style="caret-color:rgb(0, 0, 0);color:rgb(0, 0, 0);font-size:12px;font-style:normal;font-variant-caps:normal;font-weight:normal;letter-spacing:normal;orphans:auto;text-align:start;text-indent:0px;text-transform:none;white-space:normal;widows:auto;word-spacing:0px;-webkit-text-size-adjust:auto;-webkit-text-stroke-width:0px;text-decoration:none;margin:0px;font-stretch:normal;line-height:normal;font-family:Calibri"><span style="font-family:Helvetica;font-size:14px">This dynamic research-oriented intensive begins every morning with a simple, warming torrent of protean progressions led by Sherwood Chen, moving us across and through the floor—predictably, rhythmically and incessantly—to revel in our bodies and unmaster with a lucid exhaustion. This will be followed by proposed scores (partnered, group or solo) and improvisation études to investigate porosity between flesh, bone and imagination. </span></div><div style="caret-color:rgb(0, 0, 0);color:rgb(0, 0, 0);font-size:12px;font-style:normal;font-variant-caps:normal;font-weight:normal;letter-spacing:normal;orphans:auto;text-align:start;text-indent:0px;text-transform:none;white-space:normal;widows:auto;word-spacing:0px;-webkit-text-size-adjust:auto;-webkit-text-stroke-width:0px;text-decoration:none;margin:0px;font-stretch:normal;line-height:normal;font-family:Calibri;min-height:14px"><span style="font-family:Helvetica;font-size:14px"><br /></span></div><div style="caret-color:rgb(0, 0, 0);color:rgb(0, 0, 0);font-size:12px;font-style:normal;font-variant-caps:normal;font-weight:normal;letter-spacing:normal;orphans:auto;text-align:start;text-indent:0px;text-transform:none;white-space:normal;widows:auto;word-spacing:0px;-webkit-text-size-adjust:auto;-webkit-text-stroke-width:0px;text-decoration:none;margin:0px;font-stretch:normal;line-height:normal;font-family:Calibri"><span style="font-family:Helvetica;font-size:14px">In the afternoons, Lee Su-Feh will share her algorithm Touch Me Hold Me Let Me Go (TMHMLMG). TMHMLMG is </span></div><div style="caret-color:rgb(0, 0, 0);color:rgb(0, 0, 0);font-size:12px;font-style:normal;font-variant-caps:normal;font-weight:normal;letter-spacing:normal;orphans:auto;text-align:start;text-indent:0px;text-transform:none;white-space:normal;widows:auto;word-spacing:0px;-webkit-text-size-adjust:auto;-webkit-text-stroke-width:0px;text-decoration:none;margin:0px;font-stretch:normal;line-height:normal;font-family:Calibri"><span style="font-family:Helvetica;font-size:14px">An algorithm for dancing with the planet.</span></div><div style="caret-color:rgb(0, 0, 0);color:rgb(0, 0, 0);font-size:12px;font-style:normal;font-variant-caps:normal;font-weight:normal;letter-spacing:normal;orphans:auto;text-align:start;text-indent:0px;text-transform:none;white-space:normal;widows:auto;word-spacing:0px;-webkit-text-size-adjust:auto;-webkit-text-stroke-width:0px;text-decoration:none;margin:0px;font-stretch:normal;line-height:normal;font-family:Calibri"><span style="font-family:Helvetica;font-size:14px">An algorithm for dancing with your beloved.</span></div><div style="caret-color:rgb(0, 0, 0);color:rgb(0, 0, 0);font-size:12px;font-style:normal;font-variant-caps:normal;font-weight:normal;letter-spacing:normal;orphans:auto;text-align:start;text-indent:0px;text-transform:none;white-space:normal;widows:auto;word-spacing:0px;-webkit-text-size-adjust:auto;-webkit-text-stroke-width:0px;text-decoration:none;margin:0px;font-stretch:normal;line-height:normal;font-family:Calibri"><span style="font-family:Helvetica;font-size:14px">An algorithm for dancing from enough-ness.</span></div><div style="caret-color:rgb(0, 0, 0);color:rgb(0, 0, 0);font-size:12px;font-style:normal;font-variant-caps:normal;font-weight:normal;letter-spacing:normal;orphans:auto;text-align:start;text-indent:0px;text-transform:none;white-space:normal;widows:auto;word-spacing:0px;-webkit-text-size-adjust:auto;-webkit-text-stroke-width:0px;text-decoration:none;margin:0px;font-stretch:normal;line-height:normal;font-family:Calibri;min-height:14px"><span style="font-family:Helvetica;font-size:14px"><br /></span></div><div style="caret-color:rgb(0, 0, 0);color:rgb(0, 0, 0);font-size:12px;font-style:normal;font-variant-caps:normal;font-weight:normal;letter-spacing:normal;orphans:auto;text-align:start;text-indent:0px;text-transform:none;white-space:normal;widows:auto;word-spacing:0px;-webkit-text-size-adjust:auto;-webkit-text-stroke-width:0px;text-decoration:none;margin:0px;font-stretch:normal;line-height:normal;font-family:Calibri"><span style="font-family:Helvetica;font-size:14px">Using pleasure as our compass, we will tune in to ourselves and to others while we play in explorations of breathing, moving, sounding and listening with our whole body intelligence. </span></div><div style="caret-color:rgb(0, 0, 0);color:rgb(0, 0, 0);font-size:12px;font-style:normal;font-variant-caps:normal;font-weight:normal;letter-spacing:normal;orphans:auto;text-align:start;text-indent:0px;text-transform:none;white-space:normal;widows:auto;word-spacing:0px;-webkit-text-size-adjust:auto;-webkit-text-stroke-width:0px;text-decoration:none;margin:0px;font-stretch:normal;line-height:normal;font-family:Calibri;min-height:14px"><span style="font-family:Helvetica;font-size:14px"><br /></span></div><div style="caret-color:rgb(0, 0, 0);color:rgb(0, 0, 0);font-size:12px;font-style:normal;font-variant-caps:normal;font-weight:normal;letter-spacing:normal;orphans:auto;text-align:start;text-indent:0px;text-transform:none;white-space:normal;widows:auto;word-spacing:0px;-webkit-text-size-adjust:auto;-webkit-text-stroke-width:0px;text-decoration:none;margin:0px;font-stretch:normal;line-height:normal;font-family:Calibri"><span style="font-family:Helvetica;font-size:14px">Lee Su-Feh and Sherwood Chen became long-distance friends during the pandemic through a sharing of movement and singing scores over the internet. You can access their album, Hwelang! here: <a href="https://leesufeh.bandcamp.com/album/hwelang-3" target="_blank">https://leesufeh.bandcamp.com/album/hwelang-3</a> </span></div><div style="caret-color:rgb(0, 0, 0);color:rgb(0, 0, 0);font-size:12px;font-style:normal;font-variant-caps:normal;font-weight:normal;letter-spacing:normal;orphans:auto;text-align:start;text-indent:0px;text-transform:none;white-space:normal;widows:auto;word-spacing:0px;-webkit-text-size-adjust:auto;-webkit-text-stroke-width:0px;text-decoration:none;margin:0px;font-stretch:normal;line-height:normal;font-family:Calibri"><span style="font-family:Helvetica;font-size:14px">They will be meeting for the first time in-person in this training forum. </span><span style="font-family:Helvetica"><br /><br /></span><span style="font-family:Helvetica;font-size:14px"><br /><strong><span style="caret-color:rgb(0, 0, 0);color:rgb(0, 0, 0);font-style:normal;font-variant-caps:normal;font-weight:normal;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration:none;float:none;display:inline !important">This workshop is eligible for CADA West training subsidy reimbursement for CADA West members</span></strong></span></div><p><span style="font-family:Helvetica;font-size:14px"><strong><span style="caret-color:rgb(0, 0, 0);color:rgb(0, 0, 0);font-style:normal;font-variant-caps:normal;font-weight:normal;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;text-size-adjust:auto;-webkit-text-stroke-width:0px;text-decoration:none;float:none;display:inline !important">**If you need access to a sliding scale option between $150-250 for the full weekend please emai</span></strong><strong><span style="caret-color:rgb(0, 0, 0);color:rgb(0, 0, 0);font-style:normal;font-variant-caps:normal;font-weight:normal;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;text-size-adjust:auto;-webkit-text-stroke-width:0px;text-decoration:none;float:none;display:inline !important">l </span></strong></span><span style="font-family:Helvetica;font-size:14px"><strong><a href="mailto:trainingsocietyofvancouver@gmail.com">trainingsocietyofvancouver@gmail.com</a></strong><br /><br /></span></p><p style="letter-spacing:normal;caret-color:rgb(0, 0, 0);color:rgb(0, 0, 0);white-space:pre-wrap"><span style="font-family:Helvetica;font-size:14px"><em>A Weekend Training Encounter is possible thanks to the support of Canada Council for the Arts, BC Arts Council and the City of Vancouver.</em></span><br /><span style="font-family:Helvetica;font-size:14px"><em><br /></em></span></p><div style="caret-color:rgb(0, 0, 0);color:rgb(0, 0, 0);font-size:12px;font-style:normal;font-variant-caps:normal;font-weight:normal;letter-spacing:normal;orphans:auto;text-align:start;text-indent:0px;text-transform:none;white-space:normal;widows:auto;word-spacing:0px;-webkit-text-size-adjust:auto;-webkit-text-stroke-width:0px;text-decoration:none;margin:0px;font-stretch:normal;line-height:normal;font-family:Calibri;min-height:14px"><span style="font-family:Helvetica;font-size:14px"><br /></span></div><div style="caret-color:rgb(0, 0, 0);color:rgb(0, 0, 0);font-size:12px;font-style:normal;font-variant-caps:normal;font-weight:normal;letter-spacing:normal;orphans:auto;text-align:start;text-indent:0px;text-transform:none;white-space:normal;widows:auto;word-spacing:0px;-webkit-text-size-adjust:auto;-webkit-text-stroke-width:0px;text-decoration:none;margin:0px;font-stretch:normal;line-height:normal;font-family:Calibri"><span style="font-family:Helvetica;font-size:14px"><strong>SHERWOOD CHEN</strong> (US/FR) has worked for and / or with artists including Grisha Coleman, Xavier Le Roy, Min Tanaka, Anna Halprin, Amara Tabor-Smith, Ko Murobushi / inkBoat, Sara Shelton Mann, Anne Collod and Yuko Kaseki.  He leads movement research, training and workshops for dancers and performers internationally, and has trained performers in places including the Centre National de la Danse Pantin, Marameo, Independent Dance / Siobahn Davies Studios, La Ménagerie de Verre, Oficina Cultural Oswalde de Andrade, ODC, Arlequi, Chez Bushwick, Centro Nacional de las Artes (DF) and the Maré Center for the Arts. For over twenty years, he has contributed to Body Weather research initiated by Tanaka and his associates, working with members of founding generations including Oguri and Christine Quoiraud. </span></div><div style="caret-color:rgb(0, 0, 0);color:rgb(0, 0, 0);font-size:12px;font-style:normal;font-variant-caps:normal;font-weight:normal;letter-spacing:normal;orphans:auto;text-align:start;text-indent:0px;text-transform:none;white-space:normal;widows:auto;word-spacing:0px;-webkit-text-size-adjust:auto;-webkit-text-stroke-width:0px;text-decoration:none;margin:0px;font-stretch:normal;line-height:normal;font-family:Calibri;min-height:14px"><span style="font-family:Helvetica;font-size:14px"><br /></span></div><div style="caret-color:rgb(0, 0, 0);color:rgb(0, 0, 0);font-size:12px;font-style:normal;font-variant-caps:normal;font-weight:normal;letter-spacing:normal;orphans:auto;text-align:start;text-indent:0px;text-transform:none;white-space:normal;widows:auto;word-spacing:0px;-webkit-text-size-adjust:auto;-webkit-text-stroke-width:0px;text-decoration:none;margin:0px;font-stretch:normal;line-height:normal;font-family:Calibri"><span style="font-family:Helvetica;font-size:14px"><strong>LEE SU-FEH </strong> is a dancer and choreographer who has spent the last 40 years exploring the human body as a site of intersecting habits and histories. Born and raised in Malaysia, her early training began with a mix of traditional and contemporary South-East Asian dance and theatre. Since then, she has studied contemporary dance and theatre in Europe and North America with a variety of teachers and has along the way, developed a somatic approach to voice and movement deeply influenced by her lifelong studies in Chinese martial arts, Qigong and Daoism. For the last 12 years, she has integrated  Fitzmaurice Voicework® into her practice; and is a certified Lead Trainer in the Fitzmaurice Institute. Fitzmaurice Voicework® is a somatic approach to voice that “</span><span style="font-stretch:normal;line-height:normal;font-family:Helvetica;color:rgb(23, 23, 23);background-color:rgb(255, 255, 255);font-size:14px"><em>explores the dynamics between body, breath, voice, the imagination, language, and presence. It encourages vibrant voices that communicate intention and feeling without excess effort.</em></span><span style="color:rgb(23, 23, 23);background-color:rgb(255, 255, 255);font-family:Helvetica;font-size:14px">” (Catherine Fitzmaurice, founder of Fitzmaurice Voicework®)</span></div><p style="line-height:1.15"><span style="font-size:14px;color:rgb(0, 0, 0);font-family:Helvetica"><br /></span></p><p style="line-height:1.15"><span style="font-size:14px;color:rgb(0, 0, 0);font-family:Helvetica">Photo Credit: Robbie Sweeny </span></p><p style="line-height:1.15"><span style="font-family:Helvetica;font-size:14px"><br /></span></p><p style="line-height:1.15"><a href="https://docs.google.com/forms/d/1Yrtc7vdPNhuS2fVaor5WXCsrFGZ8BMTSylI5Wao8lDg/edit" target="_blank"><span style="font-family:Helvetica;font-size:14px">TSV - Consent & Liability Form</span></a></p>

<p>Hello <span class="fr-deletable styled-tag-chip " contenteditable="false" data-custom-variable="{{firstname}}">Prénom</span> <span class="fr-deletable styled-tag-chip " contenteditable="false" data-custom-variable="{{lastname}}">Nom</span>,</p><p><br /></p><p>Thank you from the Board of TSV for signing up for A Weekend Training Encounter with Sherwood Chen and Lee Su-Feh!<br /> ... 📭   at Scotiabank Dance Centre, 677 Davie St, Vancouver, BC V6B 2G6, Canada ⌚️ </p><p><br /></p><p>**Please check in with the front desk associate at The Dance Centre when you arrive and let them know you are attending A Weekend Training Encounter  </p><p><br /><strong>*Please note masks will be mandatory for this workshop*</strong></p><p><br />Enjoy your class!<br />If you have any questions please contact us at: <strong>trainingsocietyofvancouver@gmail.com</strong></p>

<p><span><strong>*Please note masks will be mandatory for this workshop*</strong></span></p><p><br /></p><div><span>This dynamic research-oriented intensive begins every morning with a simple, warming torrent of protean progressions led by Sherwood Chen, moving us across and through the floor—predictably, rhythmically and incessantly—to revel in our bodies and unmaster with a lucid exhaustion. This will be followed by proposed scores (partnered, group or solo) and improvisation études to investigate porosity between flesh, bone and imagination. </span></div><div><span><br /></span></div><div><span>In the afternoons, Lee Su-Feh will share her algorithm Touch Me Hold Me Let Me Go (TMHMLMG). TMHMLMG is </span></div><div><span>An algorithm for dancing with the planet.</span></div><div><span>An algorithm for dancing with your beloved.</span></div><div><span>An algorithm for dancing from enough-ness.</span></div><div><span><br /></span></div><div><span>Using pleasure as our compass, we will tune in to ourselves and to others while we play in explorations of breathing, moving, sounding and listening with our whole body intelligence. </span></div><div><span><br /></span></div><div><span>Lee Su-Feh and Sherwood Chen became long-distance friends during the pandemic through a sharing of movement and singing scores over the internet. You can access their album, Hwelang! here: <a href="https://leesufeh.bandcamp.com/album/hwelang-3" target="_blank">https://leesufeh.bandcamp.com/album/hwelang-3</a> </span></div><div><span>They will be meeting for the first time in-person in this training forum. </span><span><br /><br /></span><span><br /><strong><span>This workshop is eligible for CADA West training subsidy reimbursement for CADA West members</span></strong></span></div><p><span><strong><span>**If you need access to a sliding scale option between $150-250 for the full weekend please emai</span></strong><strong><span>l </span></strong></span><span><strong><a href="mailto:trainingsocietyofvancouver@gmail.com">trainingsocietyofvancouver@gmail.com</a></strong><br /><br /></span></p><p style="letter-spacing:normal;white-space:pre-wrap"><span><em>A Weekend Training Encounter is possible thanks to the support of Canada Council for the Arts, BC Arts Council and the City of Vancouver.</em></span><br /><span><em><br /></em></span></p><div><span><br /></span></div><div><span><strong>SHERWOOD CHEN</strong> (US/FR) has worked for and / or with artists including Grisha Coleman, Xavier Le Roy, Min Tanaka, Anna Halprin, Amara Tabor-Smith, Ko Murobushi / inkBoat, Sara Shelton Mann, Anne Collod and Yuko Kaseki.  He leads movement research, training and workshops for dancers and performers internationally, and has trained performers in places including the Centre National de la Danse Pantin, Marameo, Independent Dance / Siobahn Davies Studios, La Ménagerie de Verre, Oficina Cultural Oswalde de Andrade, ODC, Arlequi, Chez Bushwick, Centro Nacional de las Artes (DF) and the Maré Center for the Arts. For over twenty years, he has contributed to Body Weather research initiated by Tanaka and his associates, working with members of founding generations including Oguri and Christine Quoiraud. </span></div><div><span><br /></span></div><div><span><strong>LEE SU-FEH </strong> is a dancer and choreographer who has spent the last 40 years exploring the human body as a site of intersecting habits and histories. Born and raised in Malaysia, her early training began with a mix of traditional and contemporary South-East Asian dance and theatre. Since then, she has studied contemporary dance and theatre in Europe and North America with a variety of teachers and has along the way, developed a somatic approach to voice and movement deeply influenced by her lifelong studies in Chinese martial arts, Qigong and Daoism. For the last 12 years, she has integrated  Fitzmaurice Voicework® into her practice; and is a certified Lead Trainer in the Fitzmaurice Institute. Fitzmaurice Voicework® is a somatic approach to voice that “</span><span><em>explores the dynamics between body, breath, voice, the imagination, language, and presence. It encourages vibrant voices that communicate intention and feeling without excess effort.</em></span><span>” (Catherine Fitzmaurice, founder of Fitzmaurice Voicework®)</span></div><p style="line-height:1.15"><span><br /></span></p><p style="line-height:1.15"><span>Photo Credit: Robbie Sweeny </span></p><p style="line-height:1.15"><span><br /></span></p><p style="line-height:1.15"><a href="https://docs.google.com/forms/d/1Yrtc7vdPNhuS2fVaor5WXCsrFGZ8BMTSylI5Wao8lDg/edit" target="_blank"><span>TSV - Consent &amp; Liability Form</span></a></p>

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Special Delivery in partnership with battery opera: A Weekend Training Encounter with Sherwood Chen and Lee Su-Feh

Scotiabank Dance Centre