Latitude 53

### Context Profile for Latitude 53

1. **Organization Mission & Cause**:
   - Latitude 53 is a non-profit artist-centered organization located in Edmonton, Canada. Its mission is to empower artists engaged with contemporary culture. The organization supports the development of contemporary art and artists, fostering a vibrant arts community in Edmonton and beyond.

2. **Type of Activities**:
   - Latitude 53 hosts various activities including:
     - **Membership Programs**: Offering different tiers of membership (General, Student/Senior/Low-Income, Family, Supporter, Patron) with benefits such as discounts, pins designed by local artists, and voting rights.
     - **Workshops**: Such as the "A Hope to Wish For on a Star | Underglazing Workshop" led by local artists.
     - **Exhibitions and Events**: Showcasing contemporary art and providing platforms for artists to display their work.
     - **Fundraising Campaigns**: Engaging the community to support the arts through donations and membership.

3. **Tone of Voice**:
   - The tone of Latitude 53's communications is **friendly**, **inviting**, and **supportive**. The language is accessible and encourages community involvement, making it feel inclusive and engaging. The organization uses a conversational style that fosters a sense of belonging among members and supporters.

4. **Emoji Usage**:
   - Latitude 53 incorporates emojis in their communications, particularly in email campaigns. For example, they use a calendar emoji (📅) to highlight event dates. The use of emojis appears to be moderate and serves to add a friendly, approachable touch to their messages.

5. **Key Facts**:
   - **Founding Info**: Latitude 53 is a registered charity (Charity # 129916169RR0001).
   - **Scale**: The organization has a total of 3 forms and has sent out 41 email campaigns.
   - **Impact Metrics**: While specific metrics are not detailed on the website, the organization emphasizes community engagement and artist empowerment as key impact areas.
   - **Volunteer Info**: Information on volunteer opportunities is not explicitly mentioned on the website but may be inferred through community involvement in events and workshops.

6. **Writing Guidelines**:
   - **Style**: Use a friendly and conversational tone that invites participation and fosters community spirit.
   - **Structure**: Keep content clear and concise, using bullet points for benefits and key information to enhance readability.
   - **Personalization**: Incorporate personalized greetings in communications (e.g., using first names).
   - **Visual Elements**: Where appropriate, include emojis to maintain a light-hearted and engaging tone.
   - **Call to Action**: Clearly state calls to action, encouraging readers to join, participate, or donate, while emphasizing the impact of their support.

This context profile serves as a foundational guide for creating tailored content for Latitude 53, ensuring alignment with their mission, tone, and community-focused activities.

Online Registration

(ONLINE EVENT) <span fr-original-style="font-size:10pt;font-family:Avenir,sans-serif;color:#000000;background-color:transparent;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;" style="font-size:10pt;font-family:Avenir, sans-serif;color:rgb(0, 0, 0);background-color:transparent;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap;box-sizing:inherit"><span fr-original-style="font-size:10pt;font-family:Avenir,sans-serif;color:#000000;background-color:transparent;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;" style="font-size:10pt;font-family:Avenir, sans-serif;color:rgb(0, 0, 0);background-color:transparent;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap;box-sizing:inherit">A workshop with Christina Battle, part of the There’s no work in the arts, but so much to be done exhibition curated by Liuba González de Armas for Latitude 53.  <span fr-original-style="font-size:10pt;font-family:Avenir,sans-serif;color:#000000;background-color:transparent;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;" style="font-size:10pt;font-family:Avenir, sans-serif;color:rgb(0, 0, 0);background-color:transparent;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap;box-sizing:inherit">In this two-hour discussion, participants will consider the potential of the invitation. With a focus on those elements that make invitations inspiring and generous, together, we will adjudicate when and where invitations in the arts often go wrong, how to read between the lines, and how to anticipate how a project might unfold should an invitation be accepted. With a focus on when it might be more important to ‘just say no’ to an invitation, participants will consider what they need from artistic opportunities and determine caring and careful expectations for invitations going forward. Participants are invited to bring an (anonymized) invitation that they’ve received in the past to work with as we practice writing and rewriting invitations together (more information will be provided after signup).<span fr-original-style="font-size:10pt;font-family:Avenir,sans-serif;color:#000000;background-color:transparent;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;" style="font-size:10pt;font-family:Avenir, sans-serif;color:rgb(0, 0, 0);background-color:transparent;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap;box-sizing:inherit"> <a href="http://cbattle.com/" style="text-decoration:none;color:inherit;user-select:auto;box-sizing:inherit"><span fr-original-style="font-size:10pt;font-family:Avenir,sans-serif;color:#1155cc;background-color:transparent;font-weight:400;font-style:normal;font-variant:normal;text-decoration:underline;-webkit-text-decoration-skip:none;text-decoration-skip-ink:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;" style="font-size:10pt;font-family:Avenir, sans-serif;color:rgb(17, 85, 204);background-color:transparent;font-weight:400;font-style:normal;font-variant:normal;text-decoration:underline;text-decoration-skip-ink:none;vertical-align:baseline;white-space:pre-wrap;box-sizing:inherit">Christina Battle</a><span fr-original-style="font-size:10pt;font-family:Avenir,sans-serif;color:#000000;background-color:transparent;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;" style="font-size:10pt;font-family:Avenir, sans-serif;color:rgb(0, 0, 0);background-color:transparent;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap;box-sizing:inherit"> is an artist based in amiskwacîwâskahikan, (also known as Edmonton, Alberta), within the Aspen Parkland: the transition zone where prairie and forest meet. Her practice focuses on thinking deeply about the concept of disaster: its complexity, and the intricacies that are entwined within it. She looks to disaster as a series of intersecting processes including social, environmental, cultural, political, and economic … which are implicated not only in how disaster is caused but also in how it manifests, is responded to, and overcome. Through this research, Battle looks closer to both online models and plant systems for strategies to learn from, and for ways we might help to frame and strengthen such response. Much of this work extends from her PhD dissertation (2020) which looked closer to community responses to disaster: the ways in which they take shape, and especially to how artistic and online models might help to frame and strengthen such response. Battle’s practice prioritizes collaboration, experimentation, and failure.  She has exhibited internationally in festivals and galleries as both artist and curator.

Hi <span contenteditable="false" data-custom-variable="{{firstname}}" fr-original-class="fr-deletable styled-tag-chip " fr-original-style style="background-color:rgb(248, 248, 255);border:1px solid rgb(191, 191, 255);border-radius:4px;color:rgb(42, 42, 196);padding:1px 8px;font-size:11px;line-height:16px;display:inline-block;margin:0px;overflow-wrap:anywhere;-webkit-user-select:none;box-sizing:inherit">First name , Thank you for registering for our event and supporting our cause. Your registration greatly helps our mission. 🚀 Event time: Saturday, November 2, 2024, 1pm-3pm MST ZOOM LINK: <a href="https://us02web.zoom.us/j/82603324365" style="color:green;text-decoration:inherit;font-weight:700;box-sizing:inherit;-webkit-user-select:auto">https://us02web.zoom.us/j/82603324365</a> If you would like to contribute further, contact us to become a volunteer, or talk to your friends about our cause! Hannah Quimper-Swiderski<a href="mailto:director@latitude53.org" style="color:inherit;text-decoration:inherit;-webkit-user-select:auto;box-sizing:inherit">director@latitude53.org</a> A message from Christina: Dear participants, Thanks so much for registering for THE POTENTIAL OF INVITATIONS (AND WHEN YOU SHOULD JUST SAY NO) workshop with Latitude 53 on Saturday, November 2, 2024 (online 1:00 PM - 3:00 PM MDT). The zoom link will be: <a href="https://us02web.zoom.us/j/82603324365" style="-webkit-user-select:auto">https://us02web.zoom.us/j/82603324365</a> In advance of our time together, I’d like to invite you to consider an invitation you have received in the past that you’d like to (re)consider within the context of our discussion. It might be an invitation you have available to bring (an email for example), or one you’d like to recall through memory alone. You won’t be asked to share your invitation with the group (unless you’d like to) but please make sure to anonymize all privacy-related elements of the invitation you bring (let’s avoid sharing names and affiliations — we will discuss more about why on the 2nd). If you have any questions or could use some additional information please feel free to email me: cbattle@cbattle.comLooking forward to thinking through all of these things together with you! take care,christina

(ONLINE EVENT) A workshop with Christina Battle, part of the There’s no work in the arts, but so much to be done exhibition curated by Liuba González de Armas for Latitude 53.  In this two-hour discussion, participants will consider the potential of the invitation. With a focus on those elements that make invitations inspiring and generous, together, we will adjudicate when and where invitations in the arts often go wrong, how to read between the lines, and how to anticipate how a project might unfold should an invitation be accepted. With a focus on when it might be more important to ‘just say no’ to an invitation, participants will consider what they need from artistic opportunities and determine caring and careful expectations for invitations going forward. Participants are invited to bring an (anonymized) invitation that they’ve received in the past to work with as we practice writing and rewriting invitations together (more information will be provided after signup). <a href="http://cbattle.com/">Christina Battle</a> is an artist based in amiskwacîwâskahikan, (also known as Edmonton, Alberta), within the Aspen Parkland: the transition zone where prairie and forest meet. Her practice focuses on thinking deeply about the concept of disaster: its complexity, and the intricacies that are entwined within it. She looks to disaster as a series of intersecting processes including social, environmental, cultural, political, and economic … which are implicated not only in how disaster is caused but also in how it manifests, is responded to, and overcome. Through this research, Battle looks closer to both online models and plant systems for strategies to learn from, and for ways we might help to frame and strengthen such response. Much of this work extends from her PhD dissertation (2020) which looked closer to community responses to disaster: the ways in which they take shape, and especially to how artistic and online models might help to frame and strengthen such response. Battle’s practice prioritizes collaboration, experimentation, and failure.  She has exhibited internationally in festivals and galleries as both artist and curator.

Latitude 53

The Potential of Invitations (and when you should just say no)

Online Registration

Free