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The Machinations of Memories Suppressed
Based on a poem "Maquina de Olvido" that Anastassiia wrote the performance contains elements of spoken word with dance. All the soundscapes and rhythms are created by Anastassiia using a loop station. The work was developed in 2019 during a residency in Edmonton with Good Women Collective. The creative process continued in Mexico City, with Cristina Hall as an ‘outside eye’.
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