barre/oblique

### Context Profile for barre/oblique

#### 1. Organization Mission & Cause
**Mission:** barre/oblique is dedicated to exploring the intersection of absurdity and horror through artistic expression. Their mission is to create original performances that challenge traditional narratives and engage audiences in thought-provoking ways. They aim to provide a platform for diverse artistic expressions, particularly in the realms of theater, music, and drag, while fostering a sense of community and inclusivity.

**Cause:** The organization focuses on the arts, specifically in the context of performance that combines elements of horror, comedy, and the grotesque, thereby pushing the boundaries of conventional storytelling.

#### 2. Type of Activities
- **Performances:** barre/oblique produces original cabaret-style shows that blend various artistic forms, including theater, music, and drag.
- **Events:** They host events like "Le cabaret des horreurs," which features performances that explore horror in both humorous and disturbing ways.
- **Community Engagement:** The organization aims to create a welcoming space for artists and audiences alike, encouraging participation and collaboration within the arts community.

#### 3. Tone of Voice
- **Tone:** The tone of barre/oblique's communications is creative, playful, and slightly irreverent. They use vivid imagery and expressive language to convey their artistic vision, often blending humor with a sense of the macabre.
- **Language Style:** The language is engaging and accessible, appealing to a diverse audience while maintaining an artistic flair. They often employ dramatic and evocative phrases to capture the essence of their performances.

#### 4. Emoji Usage
- **Usage:** barre/oblique incorporates emojis in their communications, such as in email campaigns and promotional materials. Examples include celebratory emojis (like 🍾) to convey excitement and engagement with their audience.
- **Frequency:** Emojis are used selectively, primarily in email subject lines and social media posts, to enhance the emotional tone and draw attention to key messages.

#### 5. Key Facts
- **Founding Info:** Specific founding details were not available on the website, but the organization is based in Montreal, Canada.
- **Scale:** barre/oblique has a total of 27 forms and has conducted 28 email campaigns, indicating an active engagement strategy.
- **Impact Metrics:** While specific metrics were not detailed, the organization appears to focus on community engagement and artistic expression as key indicators of success.
- **Volunteer Info:** Information regarding volunteer opportunities was not explicitly mentioned on the website.

#### 6. Writing Guidelines
- **Style:** Maintain a creative and engaging style that reflects the artistic nature of the organization. Use vivid descriptions and playful language to capture the essence of performances.
- **Audience Engagement:** Write in a way that invites participation and fosters a sense of community. Use inclusive language that resonates with diverse audiences.
- **Emojis:** Incorporate emojis where appropriate to enhance emotional connection and add a playful touch to communications, particularly in subject lines and social media posts.
- **Content Structure:** Use clear headings and bullet points for easy readability, especially in emails and promotional materials. Ensure that key information about events and performances is highlighted effectively.

This context profile provides a comprehensive overview of barre/oblique, enabling AI assistants to generate tailored and impactful content that aligns with the organization's mission and tone.

Votre place pour "Being at home with Claude".

Admission générale

Votre place pour "Being at home with Claude", un p'tit un coup de pouce en plus!

Coup de pouce

Une coproduction La p'tite réplique x barre/oblique Lundi 5 juillet 1967. Palais de Justice de Montréal. Alors que l’Expo bat son plein survient un fait divers troublant. Un meurtre crapuleux. Face à un inspecteur déterminé à le faire avouer, un jeune prostitué lève progressivement le voile sur les motifs d’un crime impardonnable pour le commun des mortels. Mise en scène et scénographie de Sébastien BouvetAvec Louis-René Clément, Yann Le Tiec, Steve Méthot et Elyne Rossetti

Bonjour <span contenteditable="false" data-custom-variable="{{firstname}}" fr-original-class="fr-deletable styled-tag-chip " style="background-color:rgb(248, 248, 255);border:1px solid rgb(191, 191, 255);border-radius:4px;color:rgb(42, 42, 196);display:inline-block;margin:0px;padding:1px 8px;font-size:11px;line-height:16px;overflow-wrap:anywhere;user-select:none;box-sizing:inherit">Prénom <span contenteditable="false" data-custom-variable="{{lastname}}" fr-original-class="fr-deletable styled-tag-chip " style="background-color:rgb(248, 248, 255);border:1px solid rgb(191, 191, 255);border-radius:4px;color:rgb(42, 42, 196);display:inline-block;margin:0px;padding:1px 8px;font-size:11px;line-height:16px;overflow-wrap:anywhere;user-select:none;box-sizing:inherit">Nom, Merci pour votre achat pour "Being at home with Claude". 📭   Au 1258 Rue Bélanger, Montréal, QC H2S 1H9, Canada⌚   Le <span contenteditable="false" data-custom-variable="{{date-variable-7fa8c638-2046-4365-ae92-c1116b98855a}}" fr-original-class="fr-deletable styled-tag-chip " style="background-color:rgb(248, 248, 255);border:1px solid rgb(191, 191, 255);border-radius:4px;color:rgb(42, 42, 196);display:inline-block;margin:0px;padding:1px 8px;font-size:11px;line-height:16px;overflow-wrap:anywhere;user-select:none;box-sizing:inherit">Date Pensez à arriver une vingtaine de minutes en avance et à avoir votre billet électronique avec vous. Bien à vous.La p'tite réplique & barre/oblique

Une coproduction La p'tite réplique x barre/oblique Lundi 5 juillet 1967. Palais de Justice de Montréal. Alors que l’Expo bat son plein survient un fait divers troublant. Un meurtre crapuleux. Face à un inspecteur déterminé à le faire avouer, un jeune prostitué lève progressivement le voile sur les motifs d’un crime impardonnable pour le commun des mortels. Mise en scène et scénographie de Sébastien BouvetAvec Louis-René Clément, Yann Le Tiec, Steve Méthot et Elyne Rossetti